THE AMERICAN WEST (mostly): Fact and Fiction (mostly fiction)





"NOBODY GETS TO BE A COWBOY FOREVER." -- Chet Rollins (Jack Palance) in MONTE WALSH (NG, 1970)

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Showing posts with label Frank James. Show all posts
Showing posts with label Frank James. Show all posts

Monday, October 28, 2013

"BLOODY BILL" ANDERSON



This is a review of two books: Wildwood Boys: A Novel by James Carlos Blake and Bloody Bill Anderson: The Short, Savage Life of a Civil War Guerrilla by Albert Castel and Thomas Goodrich.

 

















Here we have a novel and a biography that cover the same historical territory.  Assuming that the reader is interested in the subject, which should he/she read first? 

For someone who is not very familiar with the history surrounding William T. Anderson, it probably would be more enjoyable to read the novel and then follow-up with the biography.  Since the biography goes into more detail and provides more historical context, it could serve as a reality check to see how far the novelist departed from the historical record by interjecting his imagination into the story.  Of course, it is his right and his duty as a novelist to do just that.  Otherwise, we would just set his novel aside and read the biography, because it shouldn’t stray from the historical record.  And this one doesn’t.  Despite its short length (144 pages), it is thoroughly researched and well written.  After all, as the subtitle indicates Anderson did not live a long life.

It has been argued that geography is destiny, that where we are born and where we live shapes our fate more than we can ever imagine.  Today, greater mobility and mass communication has lessened the impact of geography on our lives, but have not removed it entirely.  However, in the 19th century (and earlier) it was a powerful influence on where and how people lived.

Geography certainly played its role in the lives of the Anderson brothers, William and Jim, as it did in the lives of two other sets of brothers, the Youngers and the Jameses.  They found their lives and those of their respective families enmeshed in conflict in the border war between Missouri and Kansas six years before the firing on Ft. Sumter officially touched off the beginning of the Civil War.  

After the war began, all three sets of brothers eventually became members of irregular Confederate guerrilla bands, which the Unionists referred to as “bushwhackers.” The war continued along the border and spilled over into the area north of the Missouri River in the state of Missouri.  

All of the brothers, except for Jesse, fought in the band commanded by the most famous of the Missouri guerrilla leaders, William Clarke Quantrill.  

When William Anderson, who had been one of the chief lieutenants in the band, quarreled with Quantrill, he and his followers broke away and formed their own band.  Frank James and Cole Younger elected to follow Anderson. 

Jesse, who became a guerrilla fighter at age sixteen, may have later joined Anderson’s band, or maybe not.  That he became a guerrilla fighter is documented, but he never fought under Quantrill, despite what some novelists have written and what Hollywood has produced, and the evidence is sketchy regarding whether or not he was ever a member of Anderson’s band.
William Clarke Quantrill

Anderson earned the nickname “Bloody Bill” after his rampaging depredations became even more violent and more deadly after the death of his favorite sister.  I will leave the details to the reader as to the cause of death, but whether or not it was their fault, Federal authorities were blamed.  

To this point Anderson was not all that well-known by the Federal and state forces that were attempting to control the guerrilla bands.  However, the murderous rampage that followed his sister’s death made him and his band the most feared guerrilla fighters in Missouri and Kansas, even eclipsing Quantrill’s reputation.


William T. Anderson

As Castel and Goodrich write, “[n]ow he had become the ‘devil incarnate,’ the most ferocious and feared bushwhacker of all – and for Federal troops, the one they wished most and tried hardest to kill.  Scarcely a day passed without the commander of the Union District of North Missouri, Brig. Gen. Clinton B. Fisk, telegraphing one or more of his officers to ‘exterminate’ Anderson.  But his soldiers rarely so much as engaged him, or if they did, usually it was they, not he, who got the worst of it.

To begin with, they had trouble locating him.  He knew where he was going; they didn’t.  He had plenty of sympathetic civilians willing to shelter and feed his men and provide information about the ‘bluebellies’ – where and how many.  The Federals had their sources of aid and intelligence also, but not as many or as reliable.  Consequently, in this particular chase the fox enjoyed an advantage over the hounds.

And this fox, if brought to bay, turned into a wolf – with deadlier fangs.”

Federal and state forces attempting to control the guerrillas also committed their share of atrocities.  Moreover, bands of marauders from Kansas, known as “Jayhawkers,” crossed the border to engage in the burning and pillaging of the property of Missourians and did so without making much if any distinction between the property of Unionists and that of secessionists.  

The losers in this internecine conflict, as always in civil conflicts, were the civilians that were caught in the middle.  Guerrillas had to have the support of the rural inhabitants in order to survive and the Union forces had to neutralize that support in order to prevail.  Therefore, both sides were guilty of using violence and intimidation in an effort to win support for their cause.  In the process, the citizens of the area feared both sides, but neutrality wasn’t an option.  It was a dirty, violent, uncivilized conflict in which all the rules of war were ignored.

If it is true that the Civil War began on the Kansas-Missouri border six years before the rest of the country entered the conflict, it could also be said that in some respects that it did not end with Lee’s surrender at Appomattox in 1865.  For after the war many of the ex-guerrillas took the tactics they had learned during the Civil War and applied them to the art of robbing trains and banks.  

The most notorious gang was that led by the Jameses and the Youngers.  There is no doubt that had William Anderson survived the war he too would have become one of the prominent outlaws.  In fact, his brother Jim did become an outlaw.  Therefore, in some ways the war did not end until Frank James was tried and acquitted almost two decades after the war officially ended. 

Castel and Goodrich, both natives of Kansas, have written a fair and objective account of the man who became the “devil incarnate” in a civil struggle that in many cases destroyed the cohesion that had united families, communities, and the society at large.  Both historians are considered the leading authorities on the Kansas-Missouri border war and the guerrilla conflict that plagued both states during the Civil War.

Castel’s other books include: Civil War in Kansas: Reaping the Whirlwind; General Sterling Price and the Civil War in the West; and William Clarke Quantrill: Terror of the Border.

Among Goodrich’s books are Black Flag: Guerrilla Warfare on the Western Border, 1861-1865 and Bloody Dawn: The Story of the Lawrence Massacre

James Carlos Blake is a naturalized U.S. citizen who was born in Mexico.  When he was six-years old, his family moved to Brownsville, Texas.  As a novelist Blake is, much like Cormac McCarthy, drawn to the subject of evil.  He is fascinated with the lives of outlaws and, as one reviewer noted, he “explores human nature at its worst.”  Obviously then, one of the common threads running through his novels is violence, whether the subjects are historical figures such as John Wesley Hardin, Pancho Villa, 1930’s gangster Harry Pierpont, “Bloody Bill” Anderson or fictional characters such as the Wolfe brothers.

In an interview in GQ, Blake said that he was interested in [historical] outlaws, but that his real interest is in their private lives.  He went on to say, “These guys all had childhoods, families, lovers, interests other than crime and where there is no historical record of those things, I enjoyed inventing their interior lives without violating any of the factual evidence.”

In fact, Blake found himself, intentionally or unintentionally, humanizing Anderson.  Many people believe that Anderson was a violent, cold-hearted murderer, an example of “human nature at its worst,” whose character was totally devoid of human compassion and therefore beyond redemption – even at the hands of a skilled novelist.  Ironically, Anderson’s behavior was even more brutal in real life than in Blake’s portrayal.  It is a classic case of truth being stranger than fiction.

Blake also said in the GQ interview, “Violence is the most elemental truth of life.  It’s the central shaper of history, the ultimate determiner of whether A or B is going to get his way…. At its core, history is a story of violence at work.”

I must confess that although it was hard for me to accept some of the sections of the book where he invented “interior lives without violating any of the factual evidence,” overall Blake does generally stick to the known historical record and in the process of writing a gritty, brutally realistic novel he also passes along a lot of interesting history about a very unfortunate period in the life of our nation.

After all, as Oakley Hall wrote in the introduction of his best-known novel, Warlock, a thinly disguised treatment of the Wyatt Earp-Doc Holliday friendship, “By combining what did happen with what might have happened I have tried to show what should have happened….The pursuit of truth, not of facts, is the business of fiction.”  

James Carlos Blake
    

Tuesday, October 8, 2013

ARM OF THE BANDIT: The Trial of Frank James by Johnny D. Boggs




Frank and Jesse James were not admirable historical figures, but they were important ones.  If nothing else, they were responsible for the preservation of more artifacts, buildings, caves, and other sites than any other Americans with the possible exception of George Washington – and maybe even him, too.

Jesse
Of the two brothers, Jesse is the most legendary.  Carl Sandburg wrote, “Jesse James is the only American bandit who is classical, who is to this country what Robin Hood or Dick Turpin is to England, whose exploits are so close to the mythical and apocryphal.”  Ah, but there’s the rub: the mythical and apocryphal.

The legends that have grown up around Jesse reflect two opposite characters: Robin Hood on the one hand; cold, cruel, callous thief and killer on the other.

Was Jesse a Robin Hood, who robbed the rich and gave to the poor?  Was he driven against his will into a life of crime by greedy bankers, railroad officials, and crooked and corrupt politicians?  Or was he simply an adventurous youth who developed a taste for excitement and plunder because of his experiences as a teenaged guerrilla fighter during the Civil War and thus was unable to adjust to the peacetime pursuits of a simple farmer?

In a 1949 speech by another famous Missourian, Harry Truman remarked, “Jesse James was a modern-day Robin Hood.  He stole from the rich and gave to the poor, which, in general, is not a bad policy.”  That may have been good politics at the time, but it is questionable history. 

It is true that most of the time Jesse did rob the rich, for to go around robbing the poor would have been incredibly stupid, and he wasn’t stupid.  But the truth is he really made no distinction regarding the financial status of his victims when he decided to commit a robbery.  It is also true that on several occasions he shot and killed innocent and/or defenseless victims in cold blood.  No self-respecting Robin Hood would ever engage in such acts.

But this we do know, no other outlaws in our history match the record of the two brothers from Missouri when it comes to the evasion of the law.  The law never caught them.  For more than a decade and after more than a score of holdups in ten different states that resulted in fourteen deaths, including that of three outlaws, Frank and Jesse were never apprehended by federal or state authorities.  Moreover, the Pinkerton Detective firm hired by the railroad interests also failed in its quest to track down the brothers.

Why is Jesse the more legendary brother?  Part of the reason could be the alliteration of his name.  Personality is also part of the explanation.  Jesse was much more outgoing than his more introverted older sibling who would have been content to settle down and live the life of a country gentleman farmer.  However, each time Frank made the effort to do so, Jesse would entice him back into a life of crime.

But the greatest factor that explains Jesse’s exalted position among American criminals is the fact that he died young, shot down in his own living room by one of his own gang members, in the presence of his wife and two children.

When Jesse was assassinated on April 3, 1882, there was much speculation and many rumors that Frank would take to the revenge trail.  Instead, five months after his brother’s death, he surrendered and was charged with murder and train robbery.  His case went to trial in September 1883.

Frank James about 15 years after his trial


William H. Wallace was a highly successful prosecuting attorney in Jackson County, the county in which Kansas City and Independence are located.  And even though Frank was tried for crimes committed in Daviess County and therefore stood trial in Gallatin, Wallace nevertheless served as the lead prosecutor.  Why?  Because he had successfully prosecuted Bill Ryan, the only accused member of the James gang to have been tried and convicted in Missouri. 

The trial was good for business in the small village of Gallatin.  The courtroom in the Daviess County courthouse would not accommodate all the spectators who wanted to attend the trial so it was moved to the Gallatin Opera House.  A team of eight attorneys represented the defendant and Wallace was assisted by five other prosecutors. The trial lasted sixteen days, including four days of closing arguments.  The jury reached a verdict after less than four hours of deliberation. 

 
Opera House, Gallatin, Missouri
 
I suppose most people know what the verdict was.  But just in case there is someone who wants to read the book and isn’t aware of the trial’s outcome, I won’t disclose it here.

Two of the more interesting historical personages associated with the trial are  General Joseph Orville (Jo) Shelby and Major John Newman Edwards.  It was General Shelby who refused to surrender at the end of the Civil War and marched his Confederate brigade to Mexico City to offer their services to Emperor Maximilian, who had been placed on the Mexican throne by the French.  The French had moved into Mexico at a time when the disunited United States was in no position to prevent them from doing so.

Maximilian declined Shelby’s offer but did grant the general and his men land with which to establish a colony.  Shelby and some of the men accepted the offer and remained in Mexico for two years, returning home after the French departed and Maximilian was overthrown and then executed.

The general was an outspoken supporter of ex-guerrillas such as Frank James.  When called upon to testify in the case regarding a sewing machine (too complicated to discuss here), he became defensive and blatantly belligerent and had to be cautioned by the judge several times.  In the middle of his testimony, he also asked the court if it would be okay if he went over to the defense table to shake hands with his good friend, Frank James.  The judge denied his request.  At the end of his testimony, he again made the request and again it was denied.  If this sounds as though the general was a shade on the tipsy side, that was not the case.  No, he was past that stage.  He was drunk.


 
Major Edwards
General Shelby
















At General Shelby’s side throughout the war was his faithful adjutant, Major John Newman Edwards, who also accompanied him to Mexico, remaining there for two years.  After the war, Edwards pursued a career in journalism, working for newspapers in Kansas City, Sedalia, and St. Louis, as well as founding one newspaper in Kansas City.

He wrote two books, very unreliable but interesting reading, about Shelby and his command’s exploits during and after the Civil War.  He also wrote one, equally unreliable, praising the exploits of the Confederate guerrillas who terrorized the countryside during the war.  As a journalist, he became an apologist for the ex-guerrillas who had taken to the outlaw trail.  More than any other individual it was Edwards who created the Robin Hood myth associated with Jesse James.  Jesse was so appreciative of the Major's efforts that he named his son Jesse Edwards James. 

Edwards did not testify in the trial, but he played an important role.  He served as the intermediary between Frank and the governor in the negotiations that led to Frank’s surrender.  It’s just as well that he did not testify since he had an even bigger drinking problem than the general did.

That brings us to Arm of the Bandit: the Trial of Frank James, a novel by Johnny D. Boggs. 

In an interview, Boggs was quoted as saying, “I try to make my novels fairly truthful.  But I always say, ’Don’t quote me in your term paper.’”  This is how it should be when novelists write about actual historical individuals and events.  If readers want only facts then they should read a serious historical study of the subject.  Novelists are less constrained by the historical record and are free to elaborate, speculate, and fill in the blank spaces.  And that is what Boggs does with this novel.

As far as the trial itself is concerned, he adheres faithfully to the historical record.  It is outside the courtroom that he exercises the novelist’s prerogative of using his imagination to create a narrative that would not withstand cross-examination in the court of historical inquiry, but nevertheless meets the standard of plausibility.

If there is a hero in Boggs' story, it is the prosecuting attorney, William Wallace.  The heroine is Frank’s wife, Annie Ralston James, who stood by her husband through thick and thin (mostly thin) down through the years.  It is in developing these two characters that Boggs takes the most liberties.



William H. Wallace

 
Annie Ralston James

Boggs has done his research and his novel is an enjoyable and interesting read even for someone who has spent many years (yours truly, for example) studying Missouri’s tragic civil war within America's Civil War and its reputation as the “outlaw state” after the war.  It should be even more enjoyable – and informative – for readers who possess less knowledge about that history but would like to know more.

But even if the historical events recounted in the novel are of no great interest to the reader, it should still have appeal to those who enjoy a well-written courtroom drama, one that occurred very much the way Boggs presents it.

It is apparent that Boggs has an abiding interest in the subject.  One of his earlier novels was Northfield, which is an account of the James-Younger gang’s botched bank robbery in Northfield, Minnesota.  His research on that book and Arm of the Bandit led him to write Jesse James and the Movies, a non-fiction work that analyzes Hollywood’s depiction of the outlaw and how it conflicts with history.

Johnny D. Boggs
Among the many awards Boggs has received for his work are a Wrangler award from the Western Heritage Museum and six Spur awards from the Western Writers of America.  These are highly coveted awards in the Western writers community.



  

Wednesday, January 30, 2013

TOP 21 FAVORITE WESTERNS -- JESSE JAMES


# 9

JESSE JAMES (Fox, 1939)





DIRECTOR: Henry King;  PRODUCER: Darryl F. Zanuck; WRITER: Nunnally Johnson;  CINEMATOGRAPHERS: George Barnes, W.H. Greene;  SECOND UNIT DIRECTOR: Otto Brower;  STUNTS:  Cliff Lyons;  HISTORICAL DATA ASSEMBLER: Jo Frances James

CAST:  Tyrone Power, Henry Fonda, Nancy Kelly, Randolph Scott, Henry Hull, Slim Summerville, J. Edward Bromberg, Brian Donlevy, John Carradine, Donald Meek, John Russell, Jane Darwell, Charles Tannen, Willard Robertson, Harold Goodwin, Ernest Whitman, Eddy Waller, Paul Burns, Spencer Charters, Charles Middleton, George Chandler, Lon Chaney, Jr., Ethan Laidlaw, Tom London, Paul Sutton, Harry Holman


JESSE JAMES #9?   
At this point I suppose I should address the question, "How in Sam Hill can you rank this film ahead of Ford's 'cavalry trilogy' or the Boetticher-Scott films, and for cryin' out loud, HIGH NOON? 

There is a simple answer.  This is not a ranking of "greatest" Western films.  I am not in a position to do that because I don't possess the necessary expertise.

Like any list this one is highly subjective, but more than most.  In fact, it is entirely subjective, for this is a ranking of "my favorite" Westerns and my only criterion is "Do I like this film and how well do I like it?"  And I am an expert on that subject for it is my personal opinion -- the only one I am qualified to give.


Historical Data Assembler.   
To ensure historical accuracy one of Jesse's granddaughters, Jo Frances James, was hired to serve as technical adviser on the film.  She was given the title of historical data assembler.

How did that work out?

Well, this is what she told reporters: "It seemed to me the story was fiction from beginning to end.  About the only connection it had with fact was that there was once a man named Jesse James and he did ride a horse."

It makes one wonder what a historical data assembler does.

Let's get the history out of the way.  First, to correct the historical errors in the film would necessitate far more time and energy than I have.  But let me correct three:

1). Frank and Jesse's mother is killed early in the film before the boys ever take to the outlaw trail.  

In fact, Mrs. Zerelda Elizabeth Cole James Simms Samuel (she was married three times and outlived all three husbands) died of natural causes in 1911.  She was 86-years-old.  Therefore, she outlived Jesse by almost twenty years and died only four years before Frank.

2). According to the movie, it was the land-grabbing St. Louis Midland Railroad's agents that killed Mrs. Samuel, which motivated Frank and Jesse to avenge her death and declare war on the greedy railroads.  

In fact, there has never been a St. Louis Midland Railroad, except in the movies.   Furthermore, at the time that railroad agents supposedly killed Mrs. Samuel in an effort to scare her into selling her land, there was no railroad anywhere near her farm and would not be for many years.

However, a railroad is tangentially connected to her demise.  She died in a pullman car while traveling from Fletcher, Oklahoma to her home near Kearney, Missouri.  She had been visiting Frank who farmed near Fletcher. 

Jane Darwell, Frank and Jesse's movie mother



Zerelda Cole James Simms Samuel, mother of Frank and Jesse


The real mother of Frank and Jesse is a very interesting and important part of the boys' life and times and it is too bad that Nunnally Johnson's script killed her off early in the story.  But matronly Jane Darwell, who portrayed her in the film, would have been the wrong person to portray the real Zerelda.

3). The James Gang in reality, at least before the Northfield debacle in 1876, should rightfully be called the James-Younger Gang.  But Cole and his brothers are absent from this film.  The only gang member, other than Frank and Jesse, that we learn anything about is Bob Ford, and most of what we learn is wrong.

Okay, that's enough historyLet's go to the movie.


ENGINEER (Harry Holman): "What you aiming to do, pardner?"

JESSE JAMES (Tyrone Power): "I ain't aiming to do nothing.  I'm doing it.  I'm holding up this train."

ENGINEER: "The whole train?"


Heroes and Villains. 
Western movies do not always reflect the times in which they are set, but they do often reflect the times in which they are filmed.  And this is very much true of JESSE JAMES. The heroes in the film are the outlaws who rob the trains and banks and the villains are the trains and banks.

The movie was made during the Great Depression and the perceived villains of that economic collapse were the large greedy corporations.  

Throughout the 30's, Hollywood studios, especially Warner Brothers, produced gangster films and other dramatic productions that criticized the way big business had destroyed the American way of life.  

JESSE JAMES just happens to be a gangster film set in the post-Civil War Midwest.

It is a whitewash all the way and has done more to perpetuate the myth of Jesse as Robin Hood than any other movie or novel. 

Of course, Jesse did rob the rich, for it would have been incredibly stupid to rob the poor, and Jesse wasn't stupid, but he didn't give away his ill-gotten gains to the poor either, but kept it all for himself. 


The Other Jesse James Films.  
The 1939 film was not the first, nor the last, to portray the Missouri outlaws on the screen.  But it was the first to have a big-time director, a big-time budget, and a big-time cast of stars and supporting performers.

Furthermore, even though there have been more accurate films dealing with the subject, none, including Brad Pitt's more recent THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (WB, 2007), has been more enjoyable.  

JESSE JAMES is done in great style with an excellent cast, good production values, and excellent Technicolor photography. It also helped to establish a cycle of Westerns in the 40's in which actual outlaws of the Old West were whitewashed and glamorized.

Brian Garfield writes in The Western Film: A Complete Guide: "Comparing a full-bodied movie like this to the more recent GREAT NORTHFIELD MINNESOTA RAID [Universal, 1972] or THE LONG RIDERS [UA, 1980] is like comparing a long satisfying rich novel with a short story."  It would be interesting to know his opinion of Brad Pitt's film.  


1939.  
Despite the fact that the film was released in 1939, a year that saw the release of more classic films than any year in history, JESSE JAMES was a huge financial success.  Only three films -- GONE WITH THE WIND, THE WIZARD OF OZ, and THE HUNCHBACK OF NOTRE DAME -- were larger grossing films that year.



Tyrone Power as Jesse James is surprisingly good




Henry Fonda, as Frank James, gives the best performance in the film
             

The Stars.  
Tyrone Power's first starring role had been in LLOYD'S OF LONDON (1936).  The director was Henry King.  JESSE JAMES was their fourth collaboration and they would go on to make a total of eleven films together.

JESSE JAMES was Power's first Western and it would be one of only a few that he would appear in.  The others with one exception are mostly forgettable.  

The exception is the generally forgotten and underrated RAWHIDE (1951, directed by Henry Hathaway, co-starring Susan Hayward)

(You can watch RAWHIDE on YouTube.)

Power isn't the best actor in JESSE JAMES, but he more than holds his own and turns in a fine performance.

JESSE JAMES was also Henry Fonda's first Western, but there would be many more in his future, several of them true classics.  He is outstanding as brother Frank and overshadows everyone else in the film.  

A year later he would reprise his role as Frank in the sequel, THE RETURN OF FRANK JAMES (Fox, directed by Fritz Lang), which is even more historically unreliable than its predecessor, but is nevertheless a well-made and enjoyable film. (also on YouTube)



Nancy Kelly as Jesse's faithful wife, Zee

Randolph Scott as fictitious faithful lawman friend of Frank and Jesse


The Supporting Cast. 
Nancy Kelly is acceptable as Jesse's long-suffering, but faithful wife, Zee.  Randolph Scott is good as an honest, but fictitious, lawman who attempts, but fails, to help the boys to go straight.

Comedy relief is supplied by Slim Summerville, Donald Meek, and Henry Hull.  

Hull's character is loosely based on Major John Newman Edwards who rode with Confederate General Jo Shelby during the Civil War.  After the war newspaperman Edwards became a champion of and apologist for ex-Confederate guerillas such as Frank and Jesse and the Youngers and others who rode the outlaw trail.


John Carradine (L), as Bob Ford, and Tyrone Power (R), as Jesse James, have a date with destiny 
The real Bob Ford, "that dirty little coward"

John Carradine seems to have always given a good performance and he does not disappoint as Bob Ford, even though the real Ford was only 20-years-old when he shot Jesse and Carradine at the time was in his thirties.  

Nunnally Johnson's script also departed from the historical record by presenting Ford as a member of the outlaw gang from its inception to the very end.  The real Bob Ford did not participate in a single hold-up.


Henry Fonda, Henry Hull, John Carradine, J.Edward Bromberg, and Donald Meek would repeat their roles in Fox's sequel to JESSE JAMES


Pineville.   
Director Henry King wanted to film JESSE JAMES as much as possible in the area in which the events of the story transpired.  But after scouting the Kearney/Liberty, Missouri area, which is located near Kansas City, it was found that due to urbanization and modernization that would not be possible.

But down in the extreme southwestern corner of Missouri, they found what they were looking for.  Even though Pineville had fewer than 350 residents, it was the county seat of sparsely-settled McDonald County and thus had a red brick courthouse that was exactly the kind of structure the filmmakers were seeking.

Unfortunately, the main street had recently been paved. But that was a minor inconvenience as many loads of dirt were hauled in to cover the pavement.  False fronts were added to buildings along the courthouse square and several buildings were even constructed from scratch.

The construction, the hiring of locals as extras, and the attracting of tourists who flocked to the area to see the movie stars had the effect of injecting some badly needed cash into Pineville's Depression-era economy.

  

Dabbs Greer, shown here in a much later role, made his screen debut as an extra in JESSE JAMES


Robert William "Dabbs" Greer, a native of southwest Missouri, 21-years-old at the time, made his screen debut as a $5 a day extra in the film.  

He did not appear in another film for another decade, but would later appear in almost a hundred films and hundreds of TV episodes.  He became best known for recurring roles on GUNSMOKE and LITTLE HOUSE ON THE PRAIRIE.


Stunts 
Cliff Lyons, one of Hollywood's legendary stuntmen, doubled for both Power and Fonda in the film.  

During one of the most spectacular, and most unfortunate, stunts ever photographed Lyons plunges his horse off a high bluff into the Lake of the Ozarks.  He survived, but the horse was killed.  

Some accounts say that two horses and riders jumped off the bluff, but in fact it was only one.  Two cameras shot the leap from two different angles and the film was cut in such a manner that it appears to be two horses and two riders.

The death of the horse led the American Humane Association to become involved in monitoring the use of animals in film productions.

Another spectacular stunt, staged by second unit director Otto Brower and beautifully shot by cinematographer George Barnes, involves the first train hold-up.  

Lyons, doubling Power, races his horse behind the train on the crossties between the rails in order to catch and board the train.  The horse clearly stumbles and almost goes down.  Since there would have been no soft landing on the track, it would have been bad news for horse and rider. Both stunts have to be seen on a big screen to be truly appreciated but the complete movie can be viewed on YouTube.  
  

The Director.  
JESSE JAMES was director Henry King's first sound Western.  He only directed three, but he hit the jackpot each time.  The other two starred his favorite actor, Gregory Peck.  

They are THE GUNFIGHTER (Fox, 1950), a true classic, and THE BRAVADOS (Fox, 1958), an excellent and underrated Western.


The Song.    
Jesse James was a lad that killed many a man, 
He robbed the Danville train.
But that dirty little coward who shot Mr. Howard 
Has laid poor Jesse in his grave.

Poor Jesse had a wife to mourn for his life,
Three children, they were brave,
But the dirty little coward that shot Mr. Howard
Has laid poor Jesse in his grave.

It was Robert Ford, that dirty little coward,
I wonder how he did feel,
For he ate of Jesse's bread, and he slept in Jesse's bed,
Then he laid poor Jesse in his grave.


******
REVIEWS

"The movies have their truths, which rarely align with those of history....The true story of Jesse James, despite all the dime novels and B movies, remains untold, perhaps because in its savagery it really is as American as apple pie and, as such, unspeakably hard to tell." -- Manohla Dargis in The New York Times

"Jesse James, notorious train and bank bandit of the late 19th century, and an important figure in the history of the midwest frontier, gets a drastic bleaching.  Script by Nunnally Johnson is an excellent chore, nicely mixing human interest, dramatic suspense, romance and fine characterizations for swell entertainment." -- Variety 

"It is a good Western, told with astonishing sympathy for the brutal outlaws...[but] it would be interesting to know if Hollywood is just as proud of John Dillinger and Al Capone." -- New York Sun
 
"Henry Fonda, as the tobacco-chewing Frank James, is a beautiful characterization, but our favorite is Henry Hull, as the small-town editor and friend of the James clan, whose dictated editorials are priceless gems of frontier humor...." -- New York Times

"It is worth remarking that never can horses have been so thoroughly used as (literally) carriers of action and (symbolically) agents of movement.  They crash through plate-glass windows, ride tumultously over the terrain and even plunge over a cliff into a river, as Frank and Jesse make a particularly daring esape...." -- Clive Denton in Hollywood Professionals

"Although this is a dubious piece of historical revisionism, it is an exciting entertainment nevertheless....-- Steven H. Scheuer


Inscription Jesse's mother had engraved on his graveside monument.


In Loving Remembrance of My Beloved Son



Jesse W. James

Died April 3, 1882


AGED 34 YEARS, 6 MONTHS, 28 DAYS
MURDERED BY A TRAITOR AND COWARD WHOSE
NAME IS NOT WORTHY TO APPEAR HERE