THE AMERICAN WEST (mostly): Fact and Fiction (mostly fiction)
"NOBODY GETS TO BE A COWBOY FOREVER." -- Chet Rollins (Jack Palance) in MONTE WALSH (NG, 1970)
Leslie Fred Harman (1902-1982) was an American artist and cartoonist
best known for his creation of the Red Ryder comic strip. The strip was so popular that at its peak it
ran in 750 newspapers and reached forty million readers.
Harman was born in St. Joseph Missouri in 1902, but when he
was just two months old, his parents moved back to Pagosa Springs,
Colorado. It was there in that scenic
setting that he grew up on a ranch and among horses. His formal schooling ended after just seven
years and he never received any formal art training. However, it must have been
a natural talent that required little or no training since his two younger
brothers also became cartoonists.
Beginning at age twenty, he worked as an animator at the Kansas
City Film Ad Company. Among his
co-workers were his two brothers, Hugh and Walker, and a fellow by the name of
Disney. In fact, Harman and Disney decided
to go into business for themselves, but their company, Kaycee Studios, folded
after a year. It was then that Harman
headed back to Pagosa Springs.
The following years saw him working at various jobs
including advertising. He and a partner
formed their own agency but it failed after a few years. He did marry musician Lola Andrews and they
had a son in 1927. Six years later the
family moved to Los Angeles where he began a Western magazine that – you guessed
it – failed. Only three issues were
published.
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Bronc Peeler |
From 1934 to 1938, he syndicated a Western cartoon strip
titled Bronc Peeler, but not many newspapers were interested. His luck began to change when he moved to New
York in 1938. There he met Stephen
Slesinger, a merchandizing genius who helped him in the evolution of Bronc
Peeler into Red Ryder. The redheaded
cowboy first rode the range in November of that year.
Promoting Red Ryder as “America’s famous fighting cowboy,”
Slesinger began doing what he did best, which was merchandising and
licensing. What followed were Big Little
Books, novels, a movie serial, a radio program, and twenty-seven feature movies and
numerous merchandizing promotions including, of course, the Daisy Red Ryder BB
gun, still produced to this day. Not only that, it holds the longest continuing
license in the history of the licensing industry.
In 1941, Fred and Lola bought a spread in the Blanco Basin. They named it the
Red Ryder Ranch. Harman’s studio was
located on the property in a small building near the main house.
In 1964, Harman retired from the strip and devoted more time
to painting. But that wasn’t the end of
the Red Ryder strip. It was continued by
his former assistant, Bob MacLeod, and others.
Harman died in 1982.
The Red Ryder Round-up is held every year as a July the
Fourth event in Pagosa Springs, which is also the home of the Fred Harman Art
Museum.
The Borderland is an old-fashioned,
thoroughly researched, skillfully written, not to mention entertaining,
historical novel set in Texas in 1839. The author, the late Edwin “Bud” Shrake,
a native of Texas and one of its bigger-than-life, legendary writers, knew the
history and geography of his state and through exhaustive research, he also
became acquainted with the people of that bygone era. As a result, he was able
to intermingle fact and fiction and to intertwine historical and fictional
characters without the story becoming stilted, as is often the case with
historical novels.
I stumbled onto Loren D. Estleman years ago when I checked out This
Old Bill from my local library. I had never heard of the author but since
the book was a fictional treatment of Buffalo Bill, I couldn't resist it. I
followed up that one by quickly reading two more of his historical westerns: Aces
& Eights (Wild Bill Hickok) and Bloody Season (the Earps). By then Estleman
had become one of my favorite authors of western fiction.
He is not only a prolific writer, but also a somewhat unusual one, in that he
specializes in two genres: westerns (especially historical westerns about real
people) and crime novels. Since the appearance of his first novel in 1976, he
has now written 40 crime novels, 24 westerns, two works of non-fiction, and
three short story collections (one western and two crime). If you are keeping
score that is 69 books in 34 years!
In The Branch and the Scaffold Estleman covers the same ground as the late
Douglas C. Jones, who also specialized in historical westerns (also a favorite
writer). It is the story of Judge Isaac Parker, the so-called "hanging
judge," who battled to bring law and order to the Western Arkansas
District and the Indian Nations (later Oklahoma Territory). It is an episodic
novel that does not include a single fictional character. The characters, even
the minor ones, were real people. That was not the case in his other historical
westerns. In those stories, he created fictional characters in order to enliven
the historical events.
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Judge Isaac Parker |
The Branch and the Scaffold is not my favorite Estleman novel. That may be
because I have read much about the people and the events that are covered and
since Estleman does nothing to embellish the story -- it reads almost like a
work of history rather than a work of fiction -- and I am already familiar with
that history.
But to those who do not know much about the life and times of Judge Parker and
the lawmen who rode for him or the famous and infamous outlaws they brought to
justice, the novel will be both entertaining and informative.
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Loren D. Estleman |